All of us know that the majority of a tonal drawing is middle tone. And, at some point in our sketching careers, most (maybe all?) of us have thought to ourselves, "There must be a simpler, faster alternative to spending so much time covering up the whiteness of our paper."
As it turns out, as early as the Renaissance artists had identified a fast, visually appealing option - toned paper. This week I've covered that alternative in some depth in a blog article entitled Tools of the Trade #3 - Toned Paper. If you're interested, please feel free to take a look. Then maybe give it a try. (You may be amazed by the speed of this technique.)
Happy sketching everyone! (And don't forget your sunscreen, sunglasses, broad-brimmed hat and plenty of water till this heat subsides.)
