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our group |
Saturday was warm and sunny. A perfect day for an indoor/outdoor location. That's what Cameron Market, on the site of the original Cameron Ironworks, turned out to be. Here's a picture of our happy group indoors. But many folks chose to sketch outdoors.
Richard was a good sport about having his picture taken next to the port-o-potty. I guess this is what they mean when they say artists 'suffer' for their art. LOLHe was very patient and did a very nice, large watercolor and ink sketch of the exterior of the building. His vantage point shows the original brick structure on the left and the 1940's addition on the right.
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Richard |
Michael Jap had a similar vantage point, but his sketch has a much different tone and feel with the cool blues and reds. |
Michael J |
Fran drew only the exterior of the original brick structure. |
Fran |
Joel started to draw the front of the 1940's building, but got discouraged by perspective. I know a few sketchers who give buildings the fish-eye lens treatment. Looks fine to me. |
Joel |
Susan did a pen and ink vignette of the original building. |
Susan |
People who walked around the corner noticed a very large industrial building next door full of pipes and tanks and towers. It looked pretty intimidating to draw, but that didn't stop our group. You can see Joel's version in the header. He went for simple shapes and color.
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Carlos |
Carlos went almost monochrome, with big shapes and big blocks of tone. |
Michael M |
Michael M kept his color simple as well, but picked out detail in pen and ink. |
Marcos |
Marcos, who was visiting from Brazil, used only pencil. But he captured all the detail quite well. |
The sketchers at work |
A couple of us were fascinated by the downtown skyline from this vantage point. It was also a challenge: a long narrow railroad line running to a far vanishing point. |
Xiao (Shaw) |
Xiao kept it simple in watercolor. She even managed to capture Carlos at work. |
Cathy B |
Cathy Brun simplified the composition and the colors. |
Susan |
Susan simplified all those building shapes and established a strong foreground. She caught a traveler in her sketch. |
Chris
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I did a full page spread and kept it pretty colorful. It called for patience.A few people worked outside and chose NOT to do buildings.
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Martha |
Martha liked the challenge of the earth mover in bright, hot yellow. |
Jenniffer |
Jenniffer arrived late, but had time to catch this guy outside.
Then there were the people working indoors. I listened to an interview with the developer of the marketplace. He explained that since it was a historic building, he was charged with preserving some of the look of the original interior. So to divide the retail spaces, he used freight containers. You can see that in the two drawings below.
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Michael M |
Michael M's sketch shows the view down one of the hallways. |
Michael J |
Michael Jap's sketch gives you a feel for how the containers have been arranged and stacked.
Another group hung out around the Segundo Coffee Lab in the front of the building drawing people. Susan had cleverly collaged her page with different papers and some paint in advance.
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Susan |
Judith told us that she started in the bottom right corner with her coffee cup and worked her way up and around the page. Of course, she had an ear out for conversation. |
Judith |
Both Bruce and Carlos worked in black and white. |
Bruce |
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Carlos |
Veronika worked just in ink. |
Veronika |
Brett added a little watercolor. |
Brett |
Here are a couple more sketches from around the building. |
Michael M |
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Cathy Bruhn |
We had the throwdown. |
throwdown |
Lunch was at the Moontower Inn where we looked at sketchbooks and compared sketching materials. |
lunch |
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